“You don’t even know what you don’t know”
Just listen to the dialogue and follow the use of the verb
‘to know’ – even without knowing the context of the conversation or knowledge
of the characters (Peter is about to torture the bald man strapped to the chair
for information about how to reverse engineer a tool that could help to save
the world), the assumptions about how emotion, perception and intuition are
involved in finding out what someone knows are fascinating.
Peter ultimately believes he got the knowledge he wanted from
the bald man – as he puts the machine together in an apparently trial and error
way, he watches the bald man’s reactions to get clues as to whether he’s on the
right track. These attempts to ‘read’ the bald man’s mind is, methodically, a
cross between a lie detector test (monitoring heart rate and eye dilation), the
Turing test (asking a range of questions to work out if the response is human
or machine), the ‘poker test’ (reading the ‘tells’ of an opponent during a
game). If he were a psychic, he might have
done a bit of ‘cold reading’ (asking a few generalised questions so as to home
in on a specific truth).
The scene ends poignantly with the imprisoned man mocking
Peter’s sense of superiority, urging him to think of the limitations of his
human mind and knowledge: he makes the analogy of an ant who doesn’t realise
that the dark cloud descending upon it is the sole of the bald man’s shoe: a
strange parallel to the idea of the machines in ‘The Matrix’ who think of
humans as ‘parasites’.
But the scene from ‘Fringe’ also points to a reversal of the
‘meno paradox’, explored in Plato’s discussion of virtue in The Meno. When asked if he knows what virtue is, Meno
poses the conundrum:
how can you begin to define ‘virtue’ if you don’t know what it is? And if you
did come across an example of it, how would you recognise that it was virtue in the first place?
Socrates’ solution is to argue that knowledge is a process
of recalling what we already know through the kind of questioning that is exemplary
of the Socratic dialogue. Knowledge is
ultimately a function of memory and is innate to the knower.
This implies, however, subscribing to a peculiar belief in
the human soul and its transmigratory habits...
Are you prepared to do this?